|I may as well start this review out with the bad news. I renamed this RLD-1 to RLD-4000 because thatís how much I have in it after the SMC Audio platinum upgrade was finished. I guess thatís not too bad considering what you get in the rest of the review, but you do have to pay for it, and wait. My wait was six months as Steve and Kris had not done a full platinum upgrade for about two years. The bad news to good news, is those wanting to upgrade should see faster results as my unit paved the way for whatís best in 2012 as far as parts go.|
The second point that is not so bad as what you are used to using or not used to using. I like analog volume and balance controls. You can go from here to there in a split, split, split second. The 0.5dB increment is really nice, though, for getting the volume three bears right, not too loud and not too soft. The balance works by maintaining a constant power output, so the imaging shifts, but the volume doesnít.
The third niggle is the series of all black small buttons across the face panel. It isnít the size per say, but that they are FLUSH with the face panel so you have to POKE your finger ďintoĒ the button to activate it. If you have fat fingers, this will be especially frustrating (you get the remote). My Map-1 had the same buttons, but the were protruding from the face panel about an eighth-inch. That doesnít sound like much but it makes a back of the index finger tap a breeze. Why my RLD-1 isnít like this I donít know.
The fourth is of course getting one. RLD-1ís are getting modded and kept. So you have to track one down and send it in and wait. Again, my wait was six months as I hit the VRE-1C development cycle prior to the shows. You canít get one from anywhere else. If you order one today, the wait will be less as heís voiced-in the 2012 circa components. What are those components? Well, I donít care actually. Everything in the audio path is changed, and most of the power-supply so it is a clean sheet PC board re population.
The 19-inch width isnít odd as much as people follow that size, or they donít. This one does. The overall layout is super simple and easy to fully understand and use. It has a theater pass through so it isnít totally out of date. Build quality is typical McCormack, as solid as it gets.
Now for the good stuff, and this pre-amp really sings. Iíve said elsewhere Iím a four seasons description kind of guy since you canít actually hear a review. Components fall into the four seasons;
Summer Ė four fourths warm and full
Fall Ė one fourth cool three fourths warm and full.
Winter Ė four fourths cool
Spring Ė two thirds cool, one-fourth warm and full
This preamp seems to defy a solid place, but could be in two wonderful seasons, fall or spring. Itís like a 78-degree day, The sun can shine but it isnít too hot, the wind can blow but it isnít too warm or cold. It is a day where you just donít notice the weather, but what is laid out before your eyes. Life is sublime, it sounds so good to be alive!
To my ear, the XP10 was ultra detailed with the C4ís, which are definitely a neutral sounding speaker, and depend on the electronics to add the color. When the source material was good, the sound was also very good. Like a super cold day, with a bright dark blue sky and no wind. The environment can take on a voicing with stark contrasts in the sonic world with things taking on a surreal ďsoundĒ. But, this comes at a price. If the wind blows or the sunsets, it tends to run you off, as the source material is so sensitive to the weather. It has to be too perfect with the C4ís.
The RLD-1 2012 platinum mode is masterfully voiced to avoid big changes in source material with neutral sounding speakers. It is much fuller sounding through my system, and this makes the already good C4 imaging even better and more defined. Imaging is between the speakers and back. The highs are delicate and open and never strident except on the worst CDís (Nickelback anyone?). Bass is fuller and never ďout in frontĒ of the sound stage, nor is anything else over emphasized. Iíve found when things image out front of the speaker, a lot of placement related to what is left is lost. An even sonic span of attention to each voicing that the system is playing is more to my liking and the RLD-1 platinum delivers.
So yes, your overall system is a symphony of seasons all average together so no one pre-amp is right in every system. If you think your system might sound good with tubes, Iíd try to listen to one of these units, as it tends towards a tube like evenness with none of the disadvantages. This unit to me is a Mr. T pre amp, ďI pity the foolĒ who hasnít heard one. For the money (itís actually a bottom level price for a ďhigh-endĒ sound) this unit is simply outstanding. I heard the MAP-1 on my Quatroís and thought, ďyou know, THAT unit had a sound to it that was just ďrightĒ almost all the time". The RLD-1 2012 platinum mod is ridiculously right sounding for the money, and itís built to last. So a leap back ten years or more in time and thrusting the RLD-1 into 2012 produces a stunning piece. I know a lot of you seem to equate ďnewĒ with better, not me. Something can be class A for decades, and this unit to me is an example of that. Less is indeed more.
Dynaudio C4 Signature MK II
Odyssey Kismet MONO amplifiers
Aristion RD IIs turntable
SME series III tone arm
Benz Micro Ruby 3 MC cartridge
High impedance interconnect Belden 1694A
GOLD RCA compression plugs
Low impedance leads - Groneberg Quattro Reference
PASS LABS XP-10
conrad johnson ET3-SE
by Rower30 on 04-26-12