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  Review: Wireworld Supernova III+ Toslink Interconnect
The common wisdom is that toslink is inferior to 75 ohm digital RCA interconnects. My past personal experience certainly agreed with that. Unfortunately, I am currently using a Sony CD player as my transport and it only offers a toslink out. For about 6 months, I have been running the Sony into a Bel Canto DAC2 using a Transparent toslink cable. The Bel Canto was a big step up from the Sony's DAC, but the digital glare (particularly bad because I use horns) could become fatiguing. Worse, there were occasionally times when the Bel Canto could not effectively convert the data being sent by the Sony, which would lead to drop outs and noise (I've been told that this has to do with the Sony sending out a signal with inadequate voltage). I tried changing to the top of the line Monster toslink, but all I got was less detail than I had with the Transparent toslink and no decrease in the glare or other problems.

Then I read that Wireworld was making a glass toslink cable (most toslinks are plastic) and I decided to see if it would have any impact on the problems I was having with my digital front end. It was also relatively affordable (about $100 retail)and I have previously had uniformly positive experience with Wireworld products, so I figured there was little risk in trying it.

HOLY COW! As soon as I plugged the Wireworld Supernova III+ in between the Sony and the Bel Canto, there were very remarkable differences in the sound coming out of my speakers. At the high end, the digital glare of crash cymbals was gone and replaced with an airy, shimmering much more lifelike sound. But the real surprise was the change in the mid range: it went from analytical to meaty and gorgeous. And the low end? Well, I have been unimpressed with digital bass since I bought my first CD player back in the '80s. But now I am hearing bass that sounds like actual instruments being played, rather than the one dimensional "whump" that is so common in digital.

One thing that I was not expecting is that this new cable did take a few hours to really show what it could do. After about three hours, the sound became more liquid and integrated (sorry, hard to describe this in a more technical way). The next day, this improvement was even more pronounced. The change was particularly noticeable in the midrange.

The bottom line: this glass toslink cable more than addressed the problems I was having with my digital front end; it has made me re-think some of my long held prejudices against the CD digital format.

If, like me, you have to use a toslink interconnect, I strongly recommend you give the Wireworld Supernova a try. In fact, even if you are currently using a RCA digital interconect, you may want to give the Supernova a try. I would guess that it would compare favorably.

Associated gear
Bel Canto DAC
Sony ES CD player (as transport)
Wireworld Equinox III+ ICs
McCormack 125 Amplifier
McCormack RLD preamp
Speakerlab K-Horn speakers
Dynaudio Audience 52 speakers

Similar products
Transparent Toslink
Monster Toslink (top of the line)

by Steev_n on 10-01-02 
  Follow ups
Review: Wireworld Supernova III+ Toslink Interconnect
Steev n,

Thanks for your review. I need three Toslink cables and have been looking at the Wireworld very seriously. Now I am going to order them with confidence.

Steve

Sdzink 10-01-02



Review: Wireworld Supernova III+ Toslink Interconnect
what length do you find optimal for performance?
Sutts 10-02-02



Review: Wireworld Supernova III+ Toslink Interconnect
Sutts-

I have only used the one meter Supernova.

Steev_n 10-02-02



Review: Wireworld Supernova III+ Toslink Interconnect
I fully agree with the original poster. I have had the Supernova111+ in my system for about 10 months now. I use it from my Sony sat-A55 Dolby Digital satellite receiver to my Sony DA5ES receiver. It only has an optical digital out. I must say that the sound from my A-55 rivals the sound from my Dvp S7700 on which I have had some top-flite coaxial digital cables connected. (HT Cyberlink Silver presently.) Top to bottom the glass toslink reveals all the detail--precise,shimmering highs; full-bodied midrange, and fast, taut, punchy bass. Satellite music sounds great with this cable, and Dolby Digital movie soundtracks are utterly explosive and involving with this cable. Great cable-thanks Wireworld.
Jimmymon 11-21-02



Review: Wireworld Supernova III+ Toslink Interconnect
Well, I just got one of these.(received Fri.) I assume because there is no wire-- no breakin occurs.-- Nothing special about this toslinc to me. It repaced a AQ $79 toslinc I've had for a year. The bright green is cool tho.
Avguygeorge 11-23-02



Review: Wireworld Supernova III+ Toslink Interconnect
I just received my Wireworld Supernova III+ last night. It replaced an AR toslink cable in my system. The difference is immediate and wonderful. The most obvious difference when first hooked up is the highs. There is more space between the cimbles; hash is gone. Everything is better/cleaner but the highs are what strike you first. IT do seem to be getting better, too. I've noticed that the bass seems to be deeper and the mids smoother/warmer.

associated gear:
Sony CDP-CA8ES(transport)
Monarchy DIP 24/96
Monarchy M22C
Monarchy SE-100 Delux monos (newest version)
Monarchy Balanced IC's
Dalquist DQ-18's

Tmorrison2 12-21-02



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