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  How do you judge your system's neutrality?

Here’s an answer I’ve been kicking around: Your system is becoming more neutral whenever you change a system element (component, cable, room treatment, etc.) and you get the following results:

(1) Individual pieces of music sound more unique.
(2) Your music collection sounds more diverse.

This theory occurred to me one day when I changed amps and noticed that the timbres of instruments were suddenly more distinct from one another. With the old amp, all instruments seemed to have a common harmonic element (the signature of the amp?!). With the new amp, individual instrument timbres sounded more unique and the range of instrument timbres sounded more diverse. I went on to notice that whole songs (and even whole albums) sounded more unique, and that my music collection, taken as a whole, sounded more diverse.

That led me to the following idea: If, after changing a system element, (1) individual pieces of music sound more unique, and (2) your music collection sounds more diverse, then your system is contributing less of its own signature to the music. And less signature means more neutral.

Thoughts?

P.S. This is only a way of judging the relative neutrality of a system. Judging the absolute neutrality of a system is a philosophical question for another day.

P.P.S. I don’t believe a system’s signature can be reduced to zero. But it doesn’t follow from that that differences in neutrality do not exist.

P.P.P.S. I’m not suggesting that neutrality is the most important goal in building an audio system, but in my experience, the changes that have resulted in greater neutrality (using the standard above) have also been the changes that resulted in more musical enjoyment.
Bryoncunningham  (System | Reviews | Threads | Answers | This Thread)

11-05-09
  Responses (201-250 of 396)
Click title to read one, or click date to read all below it.

12-11-09   Tolstoy: "truth, like gold, is to be obtained not by it ...   Dgarretson

12-11-09   Dgarretson writes: heh. relating to continuousness, move ...   Cbw723

12-11-09   Dgarretson wrote: this is a very interesting observation. i ...   Bryoncunningham

12-12-09   many message boards give you the option to put trolls on ig ...   Cbw723

12-12-09   Dgarretson, you are as sharp as a tack! love your response a ...   Newbee

12-12-09   Newbee, sorry i was inhospitable. your speculation that the ...   Dgarretson

12-12-09   lol! by posting an on-topic discussion on the application ...   Cbw723

12-12-09   Meanwhile, back in the on-topic world, i think i’ve come up ...   Cbw723

12-12-09   Dgarretson – thanks for clarifying your view on “embodiment. ...   Bryoncunningham

12-12-09   Cbw, my interpretation of bryon's posts has been that he wan ...   Learsfool

12-12-09   A little while back, al suggested substituting another term, ...   Bryoncunningham

12-13-09   yes, that is essentially the argument. #1 and #3 are by def ...   Cbw723

12-13-09   A fuller extract of ideas from g. holt’s audio glossary seem ...   Dgarretson

12-13-09   Learsfool wrote: like many people, i have had this experie ...   Bryoncunningham

12-14-09: Learsfool
Dgarretson, thanks for the clarification. I actually didn't know about the Holt dictionary. The only place I had previously seen common audiophile terms defined was in Robert Harley's book. I'm sure there isn't much difference between those two, anyway. That Holt book would be fascinating reading. I find it amusing that he defines "neutral" as free from coloration, as you guys are, but then feels the need to define "uncolored" as free from AUDIBLE coloration. This is especially funny to me coming from the guy who defined "subjectivist" reviewing! Harley's book also speaks of the objectivist/subjectivist divide in the same sense as Holt does, by the way. It was my understanding, though, that Harry Pearson was the one who defined many of these terms originally, and he was certainly the one who defined the concept of "the absolute sound."

Getting back more on topic, I have one comment on your observation that "To distinguish problems in playback from problems in recording, the trained listener merely needs to listen to a wide variety of recordings on the same playback system." While I do agree with this as far as it goes, this is only part of it. I believe the trained listener must also do the opposite - listen to the same few recordings that one is very familiar with on a wide variety of playback systems. This is much more useful for evaluating the playback end of the equation, while the former helps distinguish problems in recording.

However, no matter how precisely we can define various different terms and types of colorations, etc., (and I am not saying this is not valuable) people will hear many of them differently, for many different reasons. Setting aside personal preferences/reference points, one audiophile may have a much better/more trained ear than another. One could also have a better but more untrained ear than the other, a case which can really confuse the issue for both. Another example I find is all too common in the audiophile world - someone who thinks they have a good and/or trained ear, and knows quite a bit about the science behind audio products, but unfortunately doesn't actually hear very well. I'm sure we can all think of a dealer where this is the case! Others mentioned the effects of aging/hearing loss - everyone's ear, no matter what level it is/was originally, can/does/will change, for better and/or for worse. Unfortunately, as an orchestral musician I am guaranteed to lose at least 20% of my hearing over the course of my career. What sounds better to you today may not tomorrow, and this will change your perception of many types of "colorations." I guess I've said all I really have to say on the subject, though I do find the discussion of terms interesting and will continue to follow the thread.

Speaking of ear training, I would urge all audiophiles to consider taking a formal aural skills course - these are often offered as adult extension courses at music programs in large universities. This sort of ear training is much more valuable for actually listening to your music (as opposed to your system), and always leads to much more enjoyment of your music, no matter what type you listen to. It will also have the benefit of greatly increasing your ability to listen for your system's characteristics, especially the more musically-related ones. And it is much cheaper than a new component for your system, too, LOL! It's all about the music in the end, or should be, anyway. I have greatly enjoyed the discussion - thanks for starting the thread, Bryon!

Learsfool  (System | Threads | Answers | This Thread)


12-14-09   Preference for a particular coloration(s))and the general t ...   Mrtennis

12-14-09   Learsfool – i appreciate your thanks and i’m grateful for yo ...   Bryoncunningham

12-14-09   I agree with mrtennis. this discussion is analogous to jugg ...   Tvad

12-15-09   Hi bryon - i agree that this has been an interesting debate. ...   Learsfool

12-15-09   Learsfool – although it is hazardous to argue by proxy, i wi ...   Bryoncunningham

12-15-09   I would like to say a few words, not the detractors of neutr ...   Bryoncunningham

12-15-09   Bryon, i would like to apologize to you for my acts of hosti ...   Newbee

12-15-09   Bryon wrote, "by improving the way you think about thin ...   Dgarretson

12-15-09   i second these thoughts, and share these feelings in my own ...   Almarg

12-15-09   Hi bryon - nice posts! your second interpretation of the &q ...   Learsfool

12-15-09   this is the part i find most puzzling. i realize that ther ...   Cbw723

12-15-09   To whip the horse's eyes with one more water analogy, " ...   Dgarretson

12-15-09   Learsfool says: by this argument, you also believe that pre ...   Cbw723

12-15-09   Cb723 - my vacuum cleaner is very low pressure cleaner. hop ...   Kijanki

12-15-09   Newbee, dgarretson, al, and cbw – thank you all for your com ...   Bryoncunningham

12-16-09   A while ago bryon produced some equations. among them: jus ...   Cbw723

12-17-09   Cbw – those are excellent observations. taking them one at a ...   Bryoncunningham

12-17-09   Hi bryon - i think there is still some misunderstanding here ...   Learsfool

12-17-09   Learsfool wrote: learsfool - i understand that you believ ...   Bryoncunningham

12-18-09   Hi bryon - interesting questions, and i am sorry i can't tak ...   Learsfool

12-19-09   In the english language , better is a subjective term, unles ...   Mrtennis

12-19-09   Mrtennis writes: yes, it is. but it also isn't the subject ...   Cbw723

12-20-09   Hi cbw: aural memory is very short. when judging the difffe ...   Mrtennis

12-21-09   Mr. tennis, you aren't telling us your short memory prevents ...   Muralman1

12-21-09   Vince - i have many piano recordings and each of them is dif ...   Kijanki

12-21-09   There is much subjectivity involved in making statements of ...   Mrtennis

12-21-09   Kijanki, the point i am making is, if you know what a grand ...   Muralman1

12-21-09   Vince - yes, i can recognize piano when i hear one (i think) ...   Kijanki

12-22-09   Observations: there are some really intelligent people in t ...   Entrope

12-24-09   Learsfool - sorry for the late reply. i've been traveling fo ...   Bryoncunningham

12-24-09   Mrtennis wrote: and kijanki wrote: let assume this: i g ...   Bryoncunningham

12-24-09   Does anyone posit that in order to enjoy the fruits of liste ...   Mrtennis

12-24-09   Bryoncunningham - we have two problems here: first - you be ...   Kijanki

12-25-09   Mrtennis and kijanki - i have said many, many times on this ...   Bryoncunningham

12-25-09   Bryoncunningham - you're a nice guy and i like reading your ...   Kijanki


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