AudiogoN
Search Buy Sell Learn MyPage
 Learn > Systems > All out Assault > 1036349020  Build a System | Log In | Bookmark This
 Mike Lavigne's System

room from doorway

looking back

i hope i don't wake up

sit down!

enough power.

NVS, (2) Telos Tonearms, Dart pre, Playback Designs (1 of 1)
  Mike Lavigne's System
  Evolution Acoustics MM7's Speaker  pic
  darTZeel NHB-458  pic
  darTZeel NHB-18NS  pic
  Evolution Acoustics 7.5 meter 'Zeel'
  Playback Designs MPS-5  pic
  Merging Technologies Emotion DA converter  pic
  'Clone' music server using an Intel Dual Core processor
  Wave Kinetics NVS  pic
  Durand Telos  pic
  Ortofon MC Anna  pic
  Durand Sapphire cartridge plate for Telos Tonearm  pic
  Durand Telos  pic
  Miyajima Premium Be Cartridge
  EMT 948  pic
  Studer A820 Master Recorder  pic
  Studer A820 Master Recorder  pic
  King/Cello tape repro/phono
  Equi=tech 10WQ Tweak
  Furutech GTX-D Rhodium duplex outlets Tweak
  Absolute Fidelity power interfaces Tweak
  Adona Zero GTX 4-shelf rack Stand
  Adona Zero CS-2 Stand
  Acoustic Dream equipment rack Stand
  Box Furniture amp stands Stand
  Wave Kinetics A10 U8 decoupling footers Tweak
  Auralex T-Fusor diffusers
  RPG Skyline diffuser
  Audio Desk Systeme Record Cleaning System Tweak
  Acoustic Revive RL-30 mKIII CD-LP demagnatizer Tweak
  Furutech DF-2 LP disc flattner Tweak
  Audiodharma Cable Cooker, Anniversary Ed. Tweak
  Winds ALM-01 Stylus Force Gauge Tweak
  i-Tower by Koncept LED floor lamp Tweak
  Quietrock THX 545 drywall Tweak
  view...... what i look at...  pic
  Barn.... ......room is....  pic

Mike Lavigne's System
this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Mikelavigne  (System | Reviews | Threads | Answers | This Thread)

11-03-02
  Responses (2551-2600 of 3084)
Click title to read one, or click date to read all below it.

04-09-12   Spritofmusic, thanks for the kind comments, and i'm glad yo ...   Mikelavigne

04-09-12   I cannot edit my above post; so let me say what i should hav ...   Mikelavigne

04-09-12   Spirtofmusic, one more thing; i've not heard the oswald mil ...   Mikelavigne

04-09-12   My system is undergoing a bit of a transformation, trying to ...   Spiritofmusic

04-09-12   Mike congrats on your new speakers, ironic because i recall ...   Dev

04-09-12   cool, mike, we'll see you in o.c. in a few! yeah, it'd be ...   C1ferrari

04-10-12   Marc, no doubt that there are other more cost effective way ...   Mikelavigne

04-10-12   David, thanks. i do recall that you were among the ones sug ...   Mikelavigne

04-10-12   Great sam, see you in june!   Mikelavigne

04-10-12   Mike, my photos will go up on a'gon when i complete my curre ...   Spiritofmusic

04-11-12   Spirit, single driver-based speakers have their strengths an ...   Agear

04-11-12   Spirit, did mr. terminator tell you what dd turntables he ha ...   Lewm

04-11-12   Marc, i would tend to agree with agear and lew as far as ab ...   Mikelavigne

04-11-12   Hi agear, i think we've both contributed to comments on the ...   Spiritofmusic

04-12-12   Spiritofmusic, have you ever heard the nvs, the telos or a h ...   Peterayer

04-12-12   Spirit, agree 100% on the power issue. i also "hear&qu ...   Agear

04-12-12   Hi peterayer, no i haven't heard the nvs/telos. it's not ava ...   Spiritofmusic

04-13-12: Mikelavigne
above a few posts there was discussion about the MM7's and the crossover. i found an explanation on the Evolution Acoustics website which goes much further than i could to explain how Kevin Malmgren approaches crossover design. i knew it was first order and quite simple but rather than my viewpoint here it is from the designer himself. i hope this helps;
Question 9:



Evolution Acoustics speakers (with the exception of the subwoofers) employ a “Constant Voltage” crossover. Would you explain how such a crossover is constructed, how it differs from an ordinary passive crossover, and what its benefits are?



Response:



First of all we need to clarify that a Constant Voltage Crossover Network is not that mysterious. It is simply a passive network which exhibits constant voltage transfer, and is the only type of engineered design that will result in true time coincidence and phase coherence, otherwise known as first-order. Typically, most manufacturers will try to obtain this result through a common parallel network design, having one part in series with each driver. However, we employ what is known as a series design which is inherently advantageous.



Crossover components and transducers all have various tolerances in their values. These tolerance differences will always affect the total network voltage response in a typical parallel network, making it almost impossible to guarantee a true constant voltage design from speaker to speaker. In a series network, the drivers are connected in series across the amplifier output, and there are no crossover component tolerances in the direct signal path to contend with. In this type of design the sum of the voice coil voltages will always be equal to the driving voltage, thus a true constant voltage design.



The main benefit to this type of design is that there is no energy or driving voltage loss. This results in a much more dynamic presentation, because there is nothing between the amplifier and the drivers. Basically, transients are fully in tact and not suppressed by capacitors, inductors or resistors. So, when we rate a speaker at 93 dB sensitivity that is an extremely conservative estimate. You basically will experience greater dynamic contrast than with traditional parallel network speakers rated at higher sensitivities.



Another benefit to this type of design is extreme purity of signal. Because there are no capacitors or inductors directly in the signal path, there is nothing to color the integrity of the signal. Not even the most expensive capacitor in the world will sound better than a direct wire from the amplifier to the tweeter, and there is no arguing that. It is true that all of the shunt or parallel components can have some influence on the overall resulting sound of the speaker, so that is why we use all top shelf components in our crossover network, from hand made reference grade film and foil capacitors to heavy gauge pure copper flat ribbon air core inductors.



The final advantage of this type of crossover topology is the way it handles driver behavior above and below the crossover point. Without getting too technical, this type of design maintains a wide overlap of typical first order slopes around the crossover point and then sharply falls off after a few octaves in each direction. The result is true phase coherent performance with added protection on the bottom end of the tweeter and filtering of upper frequency break up in the midrange, which aids in providing better off axis response than typical first order parallel network engineering.



We must also point out that all of our crossover engineering is performed through the use of very sophisticated computer-aided design applications. However, we do not rely entirely on computer generated optimizations for final circuitry, as some manufacturers do. We perform real time measurements as well to verify all computer-based suggestions. We do use our ears to also verify results, but unlike some manufactures that design by ear, we always insist that the design must be as perfect as possible from a measurement standpoint, and will always double check through measurements that any changes made by ear are truly valid. We do this to ensure that we are not imparting our own coloration preferences on the design to ensure as natural a presentation as possible.

Mikelavigne  (System | Reviews | Threads | Answers | This Thread)


04-13-12   yes; you are right. past a certain point of execution certa ...   Mikelavigne

04-13-12   Wow!! double wow!! i'm listening to a joe chambers drum sol ...   Mikelavigne

04-13-12   Mike, i did not realize the mms utilized a series xover. af ...   Agear

04-14-12   Hi mike, it's fantastic for you to to invest in (rel.) cost ...   Spiritofmusic

04-15-12   Spirit, i think you should start two new threads: one on the ...   Peterayer

04-16-12   Peterayer, agree, i think mike is happy with his choices.   Charles1dad

04-22-12   Mike, after looking at your dedicated room and state-of-the ...   Actusreus

04-22-12   Actusreus, hummmm. does a moniker meaning "guilty act& ...   Mikelavigne

04-23-12   Mike, make no mistake - were i of the means you are, i would ...   Actusreus

04-23-12   Actusreus, thanks for the kind words. i think it's a mista ...   Mikelavigne

04-23-12   Mike, your response to actusreus reflects much maturuty,pati ...   Charles1dad

04-23-12   Right on, mike and charles.   Peterayer

04-23-12   I'm not sure why "occupy" got back into the conver ...   Actusreus

04-24-12   Actusreus, i think it's fair for you to question whether i ...   Mikelavigne

04-24-12   Actusreus, you're a loser!!!   Knghifi

04-24-12   Actusreus, you again inject the term envy and more significa ...   Charles1dad

04-24-12   Why is it mikes fault people may be jealous of his system? s ...   Jlind325is

04-24-12   Jlind, i appreciate the support; however i think actusreus ...   Mikelavigne

04-24-12   Happiness is being satisfied with less than you own   Jazdoc

04-25-12   Absolutely jazzdoc; adding the word grateful is appropos as ...   Zephyr24069

04-25-12   Hey mike. long time no speak. yep, the room still looks fa ...   Mikeduke

04-25-12   Hey mike, from your pics it looks like you are using the ea ...   Nobrainer

04-25-12   Nobrainer, yes; i use the ea bnc cables both from the dart ...   Mikelavigne

04-25-12   Jazdoc, thanks for your typical elegant wisdom. and zephyr, ...   Mikelavigne

04-25-12   Hi mike, great to hear from you. i agree on the wave kinet ...   Mikelavigne

04-26-12   Hey there. what the.... you are getting the 7's? damn. i d ...   Mikeduke

04-26-12   Sorry for lack of clarity.....what cable do you use from you ...   Nobrainer

04-26-12   no problem. i had scott sheaffer, of found music, who built ...   Mikelavigne

04-26-12   Thanks mike....you're a good dude!   Nobrainer

04-26-12   Did you use a bnc t adapter with a 50 ohm plug terminator wi ...   Microstrip

04-26-12   I did not use any bnc t adapter with a 50 ohm plug terminato ...   Mikelavigne

04-27-12   Hi microstrip & ml, what is the purpose of the t adapter?   Nobrainer


< Prev << 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 >> Next >

  Post your response
Subject


Your response

No html, but you may use markup tags


Username
Members only

Password