I can't answer your question directly. The 17D2 Mk2 is a fine cartridge; it does a lot things very well. The only thing I know for sure is that the Shelter 901 is a better cartridge. It equals or betters the 17D2 Mk2 in every respect - most importantly, the Shelter 901 doesn't exhibit the "color" or "personality" that the 17D2 Mk2 does; in my opinion, the Shelter is a more neutral and more accurate cartridge. I haven't heard the 501 Mk2, so I can't comment on whether it is a worthy competitor to the 17D2 Mk2; my guess (based on my experience with the 901 and my reading of comments on the 501 Mk2) is that it would be, but that's just a guess. I do know that the 901 is in another league beyond the 17D2 Mk2 - but it should be for about twice the price. If you could find a deal on a new or very good used 901, it would be the preferred cartridge; it has deep and tight bass extension, open and airy midrange, and highs that make cymbals sound real. Don't get me wrong, the 17D2 Mk2 is an excellent cartridge, but the 901 is what a cartrige should be - just about perfect throughout.
There is a review of the Dynavector P-75 phono preamp in the current edition of HiFI+. I use am using a Nottingham Interspace w/ fully modified Rega RB300 arm and Incognito (Cardas) wiring harness w/ Dynavector 10X4mkII cartridge, in combination with the Dynavector P-75. Very impressed with the results.
Using a low output cartridge in combination with the P-75's phono enhancer setting supposedly makes the phono preamp something very special. I have not used the P-75 in this configuration because my cartridge is a high output MC.
Larry Weinstein, an analog dealer at Hollywood Sound I trust recommended the P-75 highly advising of great sound and versatility. Here is a quote from an e-mail Larry sent me last October:
"The Dynavector phono stage is fantastic! It blows away the phono stage in my Convergent Audio Technology Preamp which is hard to do, which a $6000 preamp. I don't know how they do it but it is insane kind of good!"
If your vinyl is lacking in dynamics or transient speed, I say go Dynavector. The Shelter cartridges are very neutral and would also work well in your set up.
Rjones (System | Threads | Answers | This Thread)
I heard the 501MK 2 on a VPI Aries w/JMW 10 tonearm. It replaced a Dynavector 10X5 that came with the TT as a package. The Shelter was really lush sounding, but not neutral. For those that like their music to have gorgeous tonal color, then the Shelter is it. However, I thought it was too warm and slow for rock music and felt the Dynavector 10X5 was the better cart, as it's more neutral and has way better PRAT, which is my top priority. I think the Shelter appeals to those that like their presentation on the warm/lush side and if that's your thing, this cartridge rocks for that.
Mcrespo71 (Answers | This Thread)
Mcrespo71, you hit the nail on the head!!! if you want music go for a dyna, if you want hi fi get the shelter version 501 or 901 or whatever. as for me, i'll take the tunefulness of any dyna...
Dogscanskate (Answers | This Thread)
Just for the sake of clarity on this issue, the Dyna is a better match on the JMW 10 than the Shelter, so I think that needs to be considered when reading the above posts.
I do agree that the Shelter 501 MkII has a "lush" midrange, and seems to have a dose of the "Koetsu magic" in it. However, I would not characterize it as "slow" or "warm", except during the initial break-in period of the first 20 hours, when it seemed actually bloated in my system. After those first 20 hours, it tightened right up and sounded superb.
Lower compliance cartridges need a bit more break-in time than higher compliance ones, so that needs to be taken into account.
The Spacearm has been shown to be a workable match with the Shelter cartridges, as it has some stabilizing features that help with handling the low compliance cartridges. The later 10.5 series JMW arms also added stabilizers in order to make it match better with lower compliance cartridges.
As with any analog system, the match of arm and cartridge will significantly affect the overall sonic results. Getting a good match will always yield a better result, so it would be recommended to pursue an arm/cartridge combo that matches well. Not all arms match with all cartridges, and it is not a slam on any arm or cartridge if the match doesn't work out. That is the responsiblity of the user to ensure the matchup compatibility.
I like the Dyna 10x4 and 17D2 Karat quite well, but I now own the Shelter 501 MkII, and prefer that sound personally. I use a Teres 245 DC Signature 1.5 turntable, a modded OL Silver Mk1 tonearm, and a Shelter 501 MkII, and am quite pleased with the sound on all types of music. I have not used the Shelter on a Spacearm personally, but I have conversed with those who have, and they have reported good results with it.
Twl (System | Reviews | Threads | Answers | This Thread)
I'm one of those folks that TWL refers to. My 501II is a good match w/my Spacearm & Spacedeck. With the neutral and revealing upstream of Berning ZH270 & Merlin VSM-MX, I can safely say that the system isn't slow or overly lush sounding at all. Lord knows that the Berning and Merlin would reveal it if it were so!
It does strike me as a relaxed presentation, but by that I mean that while images are 3D and tonally accurate(if it's on the record), they don't have the etched emphasis and extra sibilance that often accompanies components described as neutral. Is that lushness? Perhaps. With my Shelter shrill brass notes sound shrill, and warm notes sound warm.
I have heard numerous Dynas, and like their sound. But I've never heard them on a Spacearm. The Dynas are a good match with Rega and Rega-based arms such as the one on the Basis 1400 or the OL arms. Hope this helps somewhat. Cheers,
Sbank (System | Reviews | Threads | Answers | This Thread)